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UID:331167-1772969400-1772976600@musicalbridges.org
SUMMARY:Cantus - Musica Viva!
DESCRIPTION:Interested in this event and not a member? Click here to learn more \n			\n				\n				\n				\n				\n				This eight-man acapella group will celebrate America’s 250th anniversary with a riveting performance of works by a diverse group of composers with immigrant backgrounds. \n			\n				\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				ABOUT THE ARTISTS: \n			\n				\n				\n				\n				\n				Samuel Bohlander-Green\, bass\n				 \nDescribed as having a “deep\, expressive voice” and “setting a high theatrical bar\,” by the St. Paul Pioneer Press\, Samuel Green is a versatile singer and voice over artist. \nPrior to joining Cantus\, Samuel was a sought after musician in the thriving Kansas City arts scene\, lending his voice to several ensembles including the GRAMMY® Award Winning Kansas City Chorale under the direction of Charles Bruffy\, the Simon Carrington Chamber Singers\, and Kantorei of Kansas City\, among others. In addition to chorister experience\, Samuel has taken the stage performing jazz\, barbershop\, southern gospel and country music as a soloist and ensemble musician. \nSamuel also uses his talents as a voice over artist. His recent projects include online tutorials and videos\, spoken word for new compositions\, and other freelance work. \nWhile on vocal rest (when he’s not using his voice)\, you can find Samuel reveling in the bustling metropolis that is the Twin Cities\, quietly engaging with nature and poetry on a hike\, drinking Minnesota beers\, or enthusiastically watching St. Louis Cardinals baseball at home. \n			\n				\n				\n				\n				\n				Jacob Christopher\, tenor\n				 \nBorn and raised in Chippewa Falls\, Wisconsin\, Jacob Christopher\, tenor\, began to cultivate his craft at a young age singing at the top of his lungs to Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat. When people ask which parent he got his talent from\, he is quick to respond: Donny Osmond. \nJacob began his professional career in Chicago where he sang with Music of the Baroque\, Wicker Park Choral Singers\, and as a chorister with the Lyric Opera of Chicago from 2010-2012. He premiered numerous art songs through Singers on New Ground\, performed at Chicago’s iconic Green Mill Jazz Lounge\, and has sung back-up vocals for Ben Folds (with the Minnesota Orchestra) and for The Judds (on the Oprah Winfrey Show). \nJacob moved to New York City in 2012 and was a founding member of Manhattan Chorale under the direction of Dr. Craig Arnold. Other New York appearances include Ragtime at Lincoln Center\, the New York City workshop\, Paper Mill Playhouse production\, and Studio Cast Recording of Disney’s The Hunchback of Notre Dame\, the award-winning production of The Christians (Off-Broadway debut) and in April 2016 Jacob made his Carnegie Hall debut accompanied by the New York City Chamber Orchestra under the direction of Richard Bjella. He is thrilled to be continuing his musical journey with Cantus this season! \n			\n				\n				\n				\n				\n				Chris Foss\, bass\n				 \nChris Foss grew up in southwest Iowa and graduated from Millikin University with a BM in Commercial Music. After a short two years at the University of Nebraska directing the Vocal Jazz program and earning his MM in Choral Conducting\, Chris relocated to the Twin Cities and has been proud to be a part of Cantus since then. In addition to composing and arranging\, Chris has made numerous guest appearances with other vocal groups\, including: Minnesota Bach Ensemble\, Four Shadow\,  Beer Choir\, Omaha Chamber Music Series\, Chapter 6\, Voices of Omaha\, Dulces Voces and Home Free. Chris also served on the voice faculty of McNally Smith College of Music until 2017. \n			\n				\n				\n				\n				\n				Rod Kelly Hines\, baritone\n				 \nRod Kelly Hines is a classically trained baritone and versatile artist who enjoys performing in a variety of genres. He feels most at home in choral ensembles\, enjoying the spectrum of artistry that he is able to explore within a vast range of musical styles. From 2018-2021 he was a member of the Brooklyn-based ensemble Choral Chameleon\, under the direction of Vince Peterson. In 2019 he became an inaugural member of EXIGENCE Vocal Ensemble\, directed by Dr. Eugene Rogers. He received a Master of Music in Voice Performance from Georgia State University in Atlanta\, GA\, where he performed roles such as: Papageno in Die Zauberflöte (Mozart)\, Peter in Hansel and Gretel (Humperdinck)\, and Masetto in Don Giovanni (Mozart). He was also a featured soloist in the opera Silent Night by Kevin Puts\, presented by The Atlanta Opera in their 2017-18 season. \n			\n				\n				\n				\n				\n				Alex Nishibun\, tenor\n				 \nTenor Alex Nishibun has enjoyed singing since childhood and fondly remembers his early years of church choir singing and high school chorus. His love for singing was encouraged by his musical family and devoted music teachers from grade school to graduate school. \nAlex Nishibun is in his sixth season as a tenor with Cantus. When he’s not singing with his colleagues or performing his various artistic co-director responsibilities\, he’ll likely be found playing bluegrass mandolin\, taking walks in parks\, or having wine with friends. He loves his time performing around the nation\, but he’s always happiest returning home to his wife\, Jesi\, and their Boston Terrier\, Moose. \n			\n				\n				\n				\n				\n				Paul John Rudoi\, tenor\n				 \nPaul John Rudoi is an award-winning musician\, entrepreneur\, and advocate for arts access. \nAs a professional tenor vocalist\, Paul has performed and recorded a wide range of music in professional ensembles nationwide including Seraphic Fire\, The Santa Fe Desert Chorale\, True Concord\, the Oregon Bach Festival\, and most notably Cantus. As a member of Cantus for more than eight seasons\, Paul has premiered dozens of new works\, traveled across four continents\, educated in masterclasses driven by Cantus’ artistic and programming model\, and advocated for arts education and empowerment via outreach opportunities nationwide. \nDeemed “indisputably unique\, confident\, and innovative” through the American Prize\, Paul’s compositions have been commissioned and performed by various ensembles and artists throughout North America and Europe. His work has garnered numerous grants from the Jerome Foundation\, the ACF\, MRAC\, MSAB\, the NEA\, and ASCAP. His music is published through PJR Music (exclusively managed and distributed by Graphite Publishing) alongside ECS\, Walton\, MorningStar\, Santa Barbara\, and Graphite music publishers. \nPaul recently served as the 3rd Artistic Director for the St. John’s Boys’ Choir during its 40th Anniversary Season and currently conducts the Chorale at Meetinghouse Church in Edina\, Minnesota. \nPaul is a fierce advocate for new music trends\, resources\, and issues. He is co-founder and CEO of “Consortio\,” the online consortium building platform designed to help composers\, conductors\, and ensembles find common themes and interests for consortium-based commissioning while offering tools and services to make such commissioning more readily accessible and feasible. \nPaul holds degrees from the Hartt School and the University of Oregon. His teachers have included Dr. Sharon Paul\, Robert Kyr\, and Dr. Edward Bolkovac. \n			\n				\n				\n				\n				\n				Paul Scholtz\, tenor\n				 \nTenor Paul Scholtz is in his tenth season with Cantus. In addition to singing\, he serves on the Artistic Council and as communications lead along with managing the ensemble’s social media. He recently completed his sixth and final year on the Cantus Board of Directors. Paul earned his bachelors degree in English from Luther College in Decorah\, IA. \nWhen not performing with the ensemble or executing his other duties as one of the eight artistic co-directors of Cantus\, Paul can be found at home — likely singing! — with his wife\, Marie and their three children\, Louis\, Loren\, and Renée. \nPaul’s hobbies include spending time outdoors\, running\, biking\, and playing cards. \n			\n				\n				\n				\n				\n				Jeremy Wong\, baritone\n				 \nBaritone Jeremy M. Wong enjoys a wonderfully varied career as a singer\, conductor\, and voice teacher who has performed on both the international and U.S. stages with focuses in oratorio\, art song\, and ensemble singing. Born and raised in Honolulu\, Hawai‘i\, past seasons have seen him premiering solo roles in major choral compositions that honor the culture and history of the islands. He has enjoyed many collaborations with the Hawai‘i Symphony Orchestra (HSO) and the O‘ahu Choral Society\, most notably originating a solo quartet for the world premiere of Michael-Thomas Foumai’s Raise Hawaiki (2019)—a choral symphony chronicling the 1976 maiden voyage of the Hōkūle’a—a double-hulled sailing canoe that traveled from Honolulu to Tahiti using ancient navigational techniques\, and the story of Eddie Aikau\, a major figure in contemporary Hawaiian culture. Jeremy also sang as soloist in the full premiere of Herb Mahelona’s Kinohi (2018)\, an a cappella oratorio in ‘olelo Hawai‘i (the Hawaiian language). Jeremy made his debut with the HSO in 2016\, singing the bass solo to Beethoven’s Symphony No. 9 under the baton of JoAnn Falletta. Jeremy is an active recitalist whose major interests include German Lieder\, Japanese art song\, and American art song\, most recently performing in a joint recital at Harvard University with mezzo-soprano Elizabeth Eschen (2019). \nAs a conductor and voice teacher\, Jeremy has experience and success teaching a wide variety of ages and skill levels\, having been invited to give choral clinics and adjudicate festivals in the Honolulu\, Portland\, and Seattle areas. He is passionate about bringing vocal awareness and health into the choral classroom\, and finding musicality through efficient vocal technique. He has collaborated with Early Music Hawai‘i as guest conductor and curator\, and has led choirs at the University of Hawai‘i at Mānoa (UHM) and Hawai‘i Pacific University (HPU). He has served on the voice faculties of UHM\, HPU\, and Lewis and Clark College in Portland\, OR. \nAs an ensemble singer\, Jeremy has sung with the Oregon Bach Festival as a core member of the Berwick Chorus\, and has appeared with the Carnegie Hall Chamber Chorus\, performing in a joint concert with Peter Phillips’s Tallis Scholars. Jeremy has also had the privilege of lending his voice to international project choruses\, including the Junges Stuttgarter Bach Ensemble—where he also made his international solo debut\, and the Weimar Bach Cantata Academy under the baton of maestro Helmuth Rilling. He is passionate about collaborative music making\, and is thrilled to create music at a high level with the singers of Cantus. \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Venue Partner\n			\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Hospitality Partner\n			\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Frequently Asked Questions (FAQ)\n				Is this concert free?No\, this concert is only open to paying members. To learn more about MBAW’s membership and join\, click here. \nWhat is the parking situation?Parking is dependent upon each venue and will be communicated directly to members prior to the event. \nCan I see this artist elsewhere?Yes. This artist is available for another membership series and a free public concert. Please return to the event calendar to see these other events. \nCan I take pictures or video at the event?Please no flash photography during artist(s) performance. We would love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during their performance so as not to disrupt the event. \nDo you have other questions about this event or membership that require direct support?Contact us
URL:https://musicalbridges.org/event/cantus-musica-viva-03-08-2026/
LOCATION:Coates Chapel\, UTSA Southwest Campus\, 300 Augusta St\, San Antonio\, TX\, 78205\, United States
CATEGORIES:Musica Viva!
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DTSTART;TZID=America/Chicago:20260308T190000
DTEND;TZID=America/Chicago:20260308T200000
DTSTAMP:20260608T030423
CREATED:20250815T110049Z
LAST-MODIFIED:20250815T001853Z
UID:331633-1772996400-1773000000@musicalbridges.org
SUMMARY:Cantus - Russell Hill Rogers Musical Evenings
DESCRIPTION:The acclaimed eight-man a cappella group Cantus marks America’s 250th anniversary with a stirring program of works by diverse composers reflecting the nation’s immigrant heritage. Known for their impeccable blend and dynamic stage presence\, Cantus has been featured on NPR’s Performance Today\, performed at the White House\, and won multiple awards including the Chorus America/ASCAP Award for Adventurous Programming. Their performances are celebrated for combining vocal precision with deep emotional connection. \nCheck out this clip from their YouTube channel: \n\n			\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				ABOUT THE ARTISTS: \n			\n				\n				\n				\n				\n				Samuel Bohlander-Green\, bass\n				 \nDescribed as having a “deep\, expressive voice” and “setting a high theatrical bar\,” by the St. Paul Pioneer Press\, Samuel Green is a versatile singer and voice over artist. \nPrior to joining Cantus\, Samuel was a sought after musician in the thriving Kansas City arts scene\, lending his voice to several ensembles including the GRAMMY® Award Winning Kansas City Chorale under the direction of Charles Bruffy\, the Simon Carrington Chamber Singers\, and Kantorei of Kansas City\, among others. In addition to chorister experience\, Samuel has taken the stage performing jazz\, barbershop\, southern gospel and country music as a soloist and ensemble musician. \nSamuel also uses his talents as a voice over artist. His recent projects include online tutorials and videos\, spoken word for new compositions\, and other freelance work. \nWhile on vocal rest (when he’s not using his voice)\, you can find Samuel reveling in the bustling metropolis that is the Twin Cities\, quietly engaging with nature and poetry on a hike\, drinking Minnesota beers\, or enthusiastically watching St. Louis Cardinals baseball at home. \n			\n				\n				\n				\n				\n				Jacob Christopher\, tenor\n				 \nBorn and raised in Chippewa Falls\, Wisconsin\, Jacob Christopher\, tenor\, began to cultivate his craft at a young age singing at the top of his lungs to Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat. When people ask which parent he got his talent from\, he is quick to respond: Donny Osmond. \nJacob began his professional career in Chicago where he sang with Music of the Baroque\, Wicker Park Choral Singers\, and as a chorister with the Lyric Opera of Chicago from 2010-2012. He premiered numerous art songs through Singers on New Ground\, performed at Chicago’s iconic Green Mill Jazz Lounge\, and has sung back-up vocals for Ben Folds (with the Minnesota Orchestra) and for The Judds (on the Oprah Winfrey Show). \nJacob moved to New York City in 2012 and was a founding member of Manhattan Chorale under the direction of Dr. Craig Arnold. Other New York appearances include Ragtime at Lincoln Center\, the New York City workshop\, Paper Mill Playhouse production\, and Studio Cast Recording of Disney’s The Hunchback of Notre Dame\, the award-winning production of The Christians (Off-Broadway debut) and in April 2016 Jacob made his Carnegie Hall debut accompanied by the New York City Chamber Orchestra under the direction of Richard Bjella. He is thrilled to be continuing his musical journey with Cantus this season! \n			\n				\n				\n				\n				\n				Chris Foss\, bass\n				 \nChris Foss grew up in southwest Iowa and graduated from Millikin University with a BM in Commercial Music. After a short two years at the University of Nebraska directing the Vocal Jazz program and earning his MM in Choral Conducting\, Chris relocated to the Twin Cities and has been proud to be a part of Cantus since then. In addition to composing and arranging\, Chris has made numerous guest appearances with other vocal groups\, including: Minnesota Bach Ensemble\, Four Shadow\,  Beer Choir\, Omaha Chamber Music Series\, Chapter 6\, Voices of Omaha\, Dulces Voces and Home Free. Chris also served on the voice faculty of McNally Smith College of Music until 2017. \n			\n				\n				\n				\n				\n				Rod Kelly Hines\, baritone\n				 \nRod Kelly Hines is a classically trained baritone and versatile artist who enjoys performing in a variety of genres. He feels most at home in choral ensembles\, enjoying the spectrum of artistry that he is able to explore within a vast range of musical styles. From 2018-2021 he was a member of the Brooklyn-based ensemble Choral Chameleon\, under the direction of Vince Peterson. In 2019 he became an inaugural member of EXIGENCE Vocal Ensemble\, directed by Dr. Eugene Rogers. He received a Master of Music in Voice Performance from Georgia State University in Atlanta\, GA\, where he performed roles such as: Papageno in Die Zauberflöte (Mozart)\, Peter in Hansel and Gretel (Humperdinck)\, and Masetto in Don Giovanni (Mozart). He was also a featured soloist in the opera Silent Night by Kevin Puts\, presented by The Atlanta Opera in their 2017-18 season. \n			\n				\n				\n				\n				\n				Alex Nishibun\, tenor\n				 \nTenor Alex Nishibun has enjoyed singing since childhood and fondly remembers his early years of church choir singing and high school chorus. His love for singing was encouraged by his musical family and devoted music teachers from grade school to graduate school. \nAlex Nishibun is in his sixth season as a tenor with Cantus. When he’s not singing with his colleagues or performing his various artistic co-director responsibilities\, he’ll likely be found playing bluegrass mandolin\, taking walks in parks\, or having wine with friends. He loves his time performing around the nation\, but he’s always happiest returning home to his wife\, Jesi\, and their Boston Terrier\, Moose. \n			\n				\n				\n				\n				\n				Paul John Rudoi\, tenor\n				 \nAs a composer\, drummer and percussionist\, John Hadfield’s dedication to music has taken him from his native Missouri to concert halls and clubs across the world. Currently living in Paris\, France\, He has released four albums and numerous singles and EP’s of his own compositions and has composed for many collaborative projects\, including Heard By Others\, a duo project with Lenny Pickett\, Speaking in Tongues\, a duo project with Rachel Eckroth\, Believers a trio with Brad Shepik and Sam Minaie\, and For James a duo with Ron Blake. Hadfield also composed and performed in Apologue 2047\, a multimedia performance art piece directed by Zhang Yimou which explored themes of the relationships of humans and technology. In addition\, Hadfield’s music was used in the feature-length documentary After Spring\, and he can be heard playing percussion on numerous movie soundtracks including The Goldfinch\, Gemini Man and Drive Away Dolls. \nJohn’s diverse ablites have allowed him to perform with the Saturday Night Live Band on NBC\, The Jazz at Lincoln Center Orchestra\, Yo-Yo Ma\, Abel Selaocoe and the Seattle Symphony\, and the Silk Road Ensemble. He has collaborated on more than 100 recordings\, including GRAMMY award winning and nominated albums. \nJohn’s work has received significant critical acclaim. Time Out New York has noted\, “John Hadfield’s percussion is so impeccable” and Modern Drummer featured him in an article stating\, “Hadfield delivers a fluid groove\, strong yet never intrusive\, punctuated by adroitly chosen accents. His skillful sound-weaving choices create the illusion of a seamless multi-percussion section.” \n			\n				\n				\n				\n				\n				Paul Scholtz\, tenor\n				 \nTenor Paul Scholtz is in his tenth season with Cantus. In addition to singing\, he serves on the Artistic Council and as communications lead along with managing the ensemble’s social media. He recently completed his sixth and final year on the Cantus Board of Directors. Paul earned his bachelors degree in English from Luther College in Decorah\, IA. \nWhen not performing with the ensemble or executing his other duties as one of the eight artistic co-directors of Cantus\, Paul can be found at home — likely singing! — with his wife\, Marie and their three children\, Louis\, Loren\, and Renée. \nPaul’s hobbies include spending time outdoors\, running\, biking\, and playing cards. \n			\n				\n				\n				\n				\n				Jeremy Wong\, baritone\n				 \n\n\n\n\nBaritone Jeremy M. Wong enjoys a wonderfully varied career as a singer\, conductor\, and voice teacher who has performed on both the international and U.S. stages with focuses in oratorio\, art song\, and ensemble singing. Born and raised in Honolulu\, Hawai‘i\, past seasons have seen him premiering solo roles in major choral compositions that honor the culture and history of the islands. He has enjoyed many collaborations with the Hawai‘i Symphony Orchestra (HSO) and the O‘ahu Choral Society\, most notably originating a solo quartet for the world premiere of Michael-Thomas Foumai’s Raise Hawaiki (2019)—a choral symphony chronicling the 1976 maiden voyage of the Hōkūle’a—a double-hulled sailing canoe that traveled from Honolulu to Tahiti using ancient navigational techniques\, and the story of Eddie Aikau\, a major figure in contemporary Hawaiian culture. Jeremy also sang as soloist in the full premiere of Herb Mahelona’s Kinohi (2018)\, an a cappella oratorio in ‘olelo Hawai‘i (the Hawaiian language). Jeremy made his debut with the HSO in 2016\, singing the bass solo to Beethoven’s Symphony No. 9 under the baton of JoAnn Falletta. Jeremy is an active recitalist whose major interests include German Lieder\, Japanese art song\, and American art song\, most recently performing in a joint recital at Harvard University with mezzo-soprano Elizabeth Eschen (2019). \nAs a conductor and voice teacher\, Jeremy has experience and success teaching a wide variety of ages and skill levels\, having been invited to give choral clinics and adjudicate festivals in the Honolulu\, Portland\, and Seattle areas. He is passionate about bringing vocal awareness and health into the choral classroom\, and finding musicality through efficient vocal technique. He has collaborated with Early Music Hawai‘i as guest conductor and curator\, and has led choirs at the University of Hawai‘i at Mānoa (UHM) and Hawai‘i Pacific University (HPU). He has served on the voice faculties of UHM\, HPU\, and Lewis and Clark College in Portland\, OR. \nAs an ensemble singer\, Jeremy has sung with the Oregon Bach Festival as a core member of the Berwick Chorus\, and has appeared with the Carnegie Hall Chamber Chorus\, performing in a joint concert with Peter Phillips’s Tallis Scholars. Jeremy has also had the privilege of lending his voice to international project choruses\, including the Junges Stuttgarter Bach Ensemble—where he also made his international solo debut\, and the Weimar Bach Cantata Academy under the baton of maestro Helmuth Rilling. He is passionate about collaborative music making\, and is thrilled to create music at a high level with the singers of Cantus. \n\n\n\n\n\n \n\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				SPONSOR OF ARTISTIC FEES \n			\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				SERIES SPONSORS \n			\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				OFFICIAL RESTAURANT SPONSOR \n			\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				PARTNERS \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				General FAQs\n				\nTickets\nTickets are required to enter the concert\, but they are free! Seating is first-come-first-served. Tickets are available through each event on our event calendar or on Eventbrite. \nCheck-in\nTo help our staff and volunteers\, please have your ticket ready when you get there. Staff and volunteers will be ready to scan the QR code located on your ticket (print\, email\, or app). \nDoor Opening\nDoor opening times for Musical Evenings events will occur at 6:15 PM\, unless otherwise stated per event.  \nHealth & Safety Statement\nMusical Bridges Around the World will follow the most up-to-date safety guidelines for fine arts performance halls per the State of Texas\, as well as any other measures necessary for the ensured safety of its attendees. It is within MBAW and the venue’s right and discretion as private entities to enact these safety protocols for its attendees. \nLost Ticket/Refund Policy\nAn attendant at the door can help you register and get in quickly and easily. If you have registered but have forgotten the ticket\, an attendant can pull up your name and check you in manually. \nIf you cannot attend\, we ask that you cancel your free ticket order. This helps our ticket management process and eases the check-in process for staff/volunteers and guests on the day of. \nPhotography & Video\nNo flash photography or full-frame cameras unless given a press pass. We love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during the performance so as not to disrupt the event. \nSeating\nSeating is first-come-first-served\, apart from any clearly marked reserved or VIP seating. \nSilence Your Phone\nPlease silence phones/devices during the performance. \nWill Call\nPaper tickets are not available unless otherwise arranged\, as all tickets run through the Eventbrite system. If you wish to print out your Eventbrite tickets for check-in\, you may do so\, but do not expect to be able to pick up physical tickets at a box office. \nAny other questions? Contact us. \n\n\n  \n\n			\n				\n				\n				\n				\n				San Fernando Cathedral FAQs\n				\nAnimals\nAnimals or pets of any kind are prohibited in the Cathedral except for trained and credentialed service animals for guests with disabilities. Service animals are welcome inside the venue but must remain on a leash or in a harness at all times. \nAccessibility\nA handicap-accessible entrance is located on the left (south side) of the Cathedral. Space can be made available for those with a wheelchair. \nCode of Conduct\nAs a reminder\, the Cathedral is considered a sacred space\, so we ask that you show due decorum/politeness for the space as is expected. Guests are encouraged to report any inappropriate behavior to the nearest attendant\, staff\, or security officer. \nDress Code\nAll guests are required to wear a shirt\, pants/shorts/skirt\, and shoes for their own safety. We also ask as a courtesy that you remove your hat while within the Cathedral. \nEntry\nTwo (2) entrances (left and right vestibules/narthexes) are on the front (east side) of the Cathedral\, accessible from the Main Plaza. A handicap-accessible entrance is located on the left (south side) of the Cathedral. Attendees will be required to check in at any of these doors. \nFood & Drink\nFood and drink are not allowed in the Cathedral other than bottled/enclosed water. \nFlyers/Handouts/Product Samples\nThe distribution of promotional items\, flyers\, or printed materials is not permitted without written or express permission from MBAW or San Fernando Cathedral. The sampling and distribution of products is prohibited. \nLost & Found\nIf you realize you’ve lost an item while still in the building\, please inquire with the San Fernando Cathedral at 210-227-1297. MBAW and San Fernando Cathedral assume no responsibility for lost items. \nParking\nCity Paystations and Meters (see City logo at Paystations) are free on Sundays. If you have a disabled parking placard\, you may park at these at any day/time for free. Lot and garage parking is also available and can be searched through this link: The City of San Antonio – Downtown Parking SearchRecommended lots that are close to the Cathedral:City Tower Garage (117 W Commerce St) ~ 1 min walk [351 ft]Bexar County Parking Garage (300 Dolorosa) ~ 5 min walk [0.2 mile]Houston Street Garage (111 College St) ~ 7 min walk [0.3 mile]Market Square Lot (612 W Commerce St) ~ 10 min walk [0.5 mile] \nProhibited Items\nProhibited items include: all weapons including pocket knives\, outside food and beverage besides water bottles\, cans\, outside alcohol\, drugs\, laser pens\, utility tools\, laptops/tablets\, musical instruments\, video cameras\, monopods\, tripods\, audio recording devices (unless special permission is granted)\, selfie sticks and cameras with telephoto or zoom lenses (unless special permission granted). Texas state law prohibits smoking in the facility. \nRestricted Areas\nThe altar\, its stage\, and the chancel area behind the altar are off-limits for all guests/attendees.  \nRestrooms & Water Fountain\nA men’s\, women’s\, family restroom\, and water fountain are located on the first floor of the adjacent building south of the Cathedral. The door to the restroom area is in the west inside corner of this building\, perpendicular to a set of double doors. There is a restroom plaque/sign indicating towards the door. (Tip: If you are coming through the courtyard from the front left of the Cathedral\, walk straight until you reach the handicap entrance\, then make a left. The door will be in the corner alcove.) \nSecurity\nMultiple security/off-duty officers are on the premises at all times for your protection. All guests and all bags may or may not be subject to a security screening by a security officer.  \nSmoking\nBy law\, smoking in all areas of San Fernando Cathedral is prohibited. You may smoke outside the building in designated smoking areas. Lighting of matches\, lighters\, or any other flammable devices is not permitted within the building\, and use of these devices may result in ejection from the building. All smoking and similar paraphernalia (including E-cigarettes and similar devices) is strictly prohibited. \nAny other questions? Contact us. \n\n\n 
URL:https://musicalbridges.org/event/cantus-russell-hill-rogers-musical-evenings-03-08-2026/
LOCATION:San Fernando Cathedral\, 115 Main Plaza\, San Antonio\, TX\, 78205\, United States
CATEGORIES:Russell Hill Rogers Musical Evenings
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