BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Musical Bridges Around The World - ECPv6.18.3//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://musicalbridges.org X-WR-CALDESC:Events for Musical Bridges Around The World REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Chicago BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20260308T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20261101T070000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20270314T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20271107T070000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20280312T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20281105T070000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Chicago:20270109T170000 DTEND;TZID=America/Chicago:20270109T170000 DTSTAMP:20260915T204214Z CREATED:20260611T180559Z LAST-MODIFIED:20260915T204214Z UID:334282-1799514000-1799514000@musicalbridges.org SUMMARY:Azul Barrientos & The Aaron Prado Trio - Impresario Club DESCRIPTION:Interested in this event and not a member? Click here to learn more \n \n \n \n \n \n San Antonio-based musician Azul Barrientos has built a celebrated career bridging Mexicana and Chicana cultures through traditional song. She is joined by the Aaron Prado Trio\, comprising pianist and KRTU radio host Dr. Aaron Prado\, veteran bassist Maestro George Prado\, and Grammy-winning percussionist Nina Rodriguez\, for a rich celebration of Latin roots and jazz tradition.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS: \n \n \n \n \n \n Azul Barrientos\, voice\n \nAzul Barrientos is a musician dedicated to observing and conserving the cultural influences and interconnections between Latin America\, Africa\, Europe\, and Mexico.  \nBorn in Mexico City\, Azul moved to San Antonio\, Texas as a young woman\, where she developed a reputation for building bridges between Mexicana and Chicana cultures. Her career has focused on preserving traditional songs from Latin America and exploring their diverse musical histories.  \nAs the daughter of two musicians in Mexico City\, Azul was introduced to Latin America’s traditional and folkloric songs at an early age. This legacy drives her passion for reviving lost cultural traditions and sharing each song’s unique history \nAzul rejoices in her Latina roots\, giving new life to the rhythms and stories of previous generations. \n \n \n \n \n \n Aaron Prado\, piano\n \nDr. Aaron Prado is a pianist\, composer\, educator\, and radio personality based in San Antonio\, Texas. Prado received a Doctorate of Musical Arts in piano performance at the University of Texas at Austin’s Butler School of Music in 2014. Prior to this\, he attended Columbia University for undergraduate study and New York University for a Master’s Degree. From 2003-2009\, Prado was Music Director at Trinity University’s jazz radio station – KRTU 91.7FM – where he is currently the host of “Aaron Prado Presents” – heard Sundays 2:00-4:00 p.m. In 2011\, Prado debuted his “San Antonio Jazz Suite” – a large-scale composition scored for big band\, string quartet\, and narration that tells the story of San Antonio. In 2015\, Prado published a book of transcriptions of solo recordings by jazz pianist Bill Evans (published by Hal Leonard). In 2018\, Prado received a grant from the Artist Foundation of San Antonio to compose “The Hero’s Journey” – the piece premiered at the Instituto Cultural de Mexico. At this time\, he also premiered a commissioned piece by Musical Bridges Around the World titled “Sister Cities”\, which was performed by the inaugural Sister Cities Jazz Ensemble during its international music festival. In 2019\, Prado released two albums: a sextet album “Live at Jazz\, TX” and a trio album of original music called “And Now…” Dr. Prado was commissioned to compose a chamber work with piano for The Gurwitz 2024 International Piano Competition\, to which came “El Colibrí y la Cempasúchil”. The work was performed by all three finalists alongside members of the Mexico City Philharmonic Orchestra. Currently\, Prado teaches and is President of the Faculty Senate at Northwest Vista College. \n \n \n \n \n \n George Prado\, bass\n \nMAESTRO GEORGE PRADO has been a bassist\, band leader and educator for more than 40 years in San Antonio. Born here in 1942\, he joined the U.S. Army after high school as part of the band stationed in France during the early 1960s. Relocating to Los Angeles in the mid 1960s\, George studied music at Cal State. \nGeorge has enjoyed a successful musical career since returning to San Antonio in 1980. His professional commitment to music has included membership in the Musicians Society of San Antonio and private teaching. He is a regular lecturer at Oasis Senior Education Center. He often accompanies local poets at literary events. \nHis credits include work with Jim Cullum’s Jazz Band\, Sy Zentner Big Band\, Cab Calloway\, Eartha Kitt\, Mose Allison\, Chuck Berry and Clifford Scott. George’s own jazz ensemble\, The Regency Jazz Band\, founded in 1982\, has performed at Jazz’SAlive\, and the Texas Jazz Festival in Corpus Christi\, The South Texas Music Project sponsored by jazz station KRTU\, along with regular performances at The Witte Museum\, The McNay Museum\, Bihl Haus Arts\, AnArte and Musical Bridges Art Galleries. For over 30 years\, George has hosted a popular holiday concert in December called Holiday Saxophones. \nAfter meeting José Rubén De León in 2004\, the two\, along with pianist Dr. Aaron Ellington Prado\, began collaborating on SIMPLEMENTE LARA. Other projects have included an all bolero salute entitled El Corazón del Bolero and the tribute to singer\, composer\, jazz pianist Nat King Cole called Unforgettable. \n \n \n \n \n \n Nina Rodriguez\, percussion\n \nNina Rodriguez is a nationally celebrated\, Grammy-winning percussionist\, musical performer\, clinician and educator. Her extraordinary energy and dedication to the power of music\, drumming and performance has shaped her career as a lead Facilitator with Drum Cafe and a celebrated independent musician. \nThrough Drum Caf√©\, Nina has inspired thousands of Fortune 1\,000 employees from all sectors of Healthcare to Banking\, Technology and more\, including those from Microsoft\, Levis\, Gap\, Universal Music Group\, NBC\, Google\, Amazon and scores of school districts throughout the US. She is an endorsed artist for Toca Percussion\, Vic Firth and Gibralter. \nNina uses Toca Freestyle Djembes\, Djun Djuns\, Timbales\, Congas\, Cajon and a variety of hand percussion. The authenticity\, tone\, pitch and extreme attention to detail make these products kick! Her interactive audiences love the Toca Freestyle Djembes. Their unique colorful designs\, along with their lightweight and durable construction\, make them a perfect fit for her drumming participants. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Event Sponsored By\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Frequently Asked Questions (FAQ)\n Is this concert free?No\, this concert is only open to paying members. To learn more about MBAW’s membership and join\, click here. \nWhat is the parking situation?Parking is dependent upon each venue and will be communicated directly to members prior to the event. \nCan I see this artist elsewhere?Yes. This artist is available for another membership series and a free public concert. Please return to the event calendar to see these other events. \nCan I take pictures or video at the event?Please no flash photography during artist(s) performance. We would love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during their performance so as not to disrupt the event. \nDo you have other questions about this event or membership that require direct support?Contact us URL:https://musicalbridges.org/event/azul-barrientos-the-aaron-prado-trio-impresario-club-01-09-2027/ LOCATION:Roosevelt Library\, 311 Roosevelt Ave\, San Antonio\, TX 78210 CATEGORIES:Impresario Club ATTACH;FMTTYPE=image/jpeg:https://musicalbridges.org/wp-content/uploads/2026/05/Azul-Barrientos-Aaron-Prado-Trio_IC_Website-Calendar-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20270110T113000 DTEND;TZID=America/Chicago:20270110T113000 DTSTAMP:20260917T201533Z CREATED:20260611T180530Z LAST-MODIFIED:20260917T201533Z UID:334272-1799580600-1799580600@musicalbridges.org SUMMARY:Azul Barrientos & Aaron Prado Trio - Musica Viva! DESCRIPTION:Interested in this event and not a member? Click here to learn more \n \n \n \n \n \n San Antonio-based musician Azul Barrientos has built a celebrated career bridging Mexicana and Chicana cultures through traditional song. She is joined by the Aaron Prado Trio\, comprising pianist and KRTU radio host Dr. Aaron Prado\, veteran bassist Maestro George Prado\, and Grammy-winning percussionist Nina Rodriguez\, for a rich celebration of Latin roots and jazz tradition.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS: \n \n \n \n \n \n Azul Barrientos\, voice\n \nAzul Barrientos is a musician dedicated to observing and conserving the cultural influences and interconnections between Latin America\, Africa\, Europe\, and Mexico.  \nBorn in Mexico City\, Azul moved to San Antonio\, Texas as a young woman\, where she developed a reputation for building bridges between Mexicana and Chicana cultures. Her career has focused on preserving traditional songs from Latin America and exploring their diverse musical histories.  \nAs the daughter of two musicians in Mexico City\, Azul was introduced to Latin America’s traditional and folkloric songs at an early age. This legacy drives her passion for reviving lost cultural traditions and sharing each song’s unique history \nAzul rejoices in her Latina roots\, giving new life to the rhythms and stories of previous generations. \n \n \n \n \n \n Aaron Prado\, piano\n \nDr. Aaron Prado is a pianist\, composer\, educator\, and radio personality based in San Antonio\, Texas. Prado received a Doctorate of Musical Arts in piano performance at the University of Texas at Austin’s Butler School of Music in 2014. Prior to this\, he attended Columbia University for undergraduate study and New York University for a Master’s Degree. From 2003-2009\, Prado was Music Director at Trinity University’s jazz radio station – KRTU 91.7FM – where he is currently the host of “Aaron Prado Presents” – heard Sundays 2:00-4:00 p.m. In 2011\, Prado debuted his “San Antonio Jazz Suite” – a large-scale composition scored for big band\, string quartet\, and narration that tells the story of San Antonio. In 2015\, Prado published a book of transcriptions of solo recordings by jazz pianist Bill Evans (published by Hal Leonard). In 2018\, Prado received a grant from the Artist Foundation of San Antonio to compose “The Hero’s Journey” – the piece premiered at the Instituto Cultural de Mexico. At this time\, he also premiered a commissioned piece by Musical Bridges Around the World titled “Sister Cities”\, which was performed by the inaugural Sister Cities Jazz Ensemble during its international music festival. In 2019\, Prado released two albums: a sextet album “Live at Jazz\, TX” and a trio album of original music called “And Now…” Dr. Prado was commissioned to compose a chamber work with piano for The Gurwitz 2024 International Piano Competition\, to which came “El Colibrí y la Cempasúchil”. The work was performed by all three finalists alongside members of the Mexico City Philharmonic Orchestra. Currently\, Prado teaches and is President of the Faculty Senate at Northwest Vista College. \n  \n \n \n \n \n \n George Prado\, bass\n \nMAESTRO GEORGE PRADO has been a bassist\, band leader and educator for more than 40 years in San Antonio. Born here in 1942\, he joined the U.S. Army after high school as part of the band stationed in France during the early 1960s. Relocating to Los Angeles in the mid 1960s\, George studied music at Cal State. \nGeorge has enjoyed a successful musical career since returning to San Antonio in 1980. His professional commitment to music has included membership in the Musicians Society of San Antonio and private teaching. He is a regular lecturer at Oasis Senior Education Center. He often accompanies local poets at literary events. \nHis credits include work with Jim Cullum’s Jazz Band\, Sy Zentner Big Band\, Cab Calloway\, Eartha Kitt\, Mose Allison\, Chuck Berry and Clifford Scott. George’s own jazz ensemble\, The Regency Jazz Band\, founded in 1982\, has performed at Jazz’SAlive\, and the Texas Jazz Festival in Corpus Christi\, The South Texas Music Project sponsored by jazz station KRTU\, along with regular performances at The Witte Museum\, The McNay Museum\, Bihl Haus Arts\, AnArte and Musical Bridges Art Galleries. For over 30 years\, George has hosted a popular holiday concert in December called Holiday Saxophones. \nAfter meeting José Rubén De León in 2004\, the two\, along with pianist Dr. Aaron Ellington Prado\, began collaborating on SIMPLEMENTE LARA. Other projects have included an all bolero salute entitled El Corazón del Bolero and the tribute to singer\, composer\, jazz pianist Nat King Cole called Unforgettable. \n \n \n \n \n \n Nina Rodriguez\, percussion\n \nNina Rodriguez is a nationally celebrated\, Grammy-winning percussionist\, musical performer\, clinician and educator. Her extraordinary energy and dedication to the power of music\, drumming and performance has shaped her career as a lead Facilitator with Drum Cafe and a celebrated independent musician. \nThrough Drum Caf√©\, Nina has inspired thousands of Fortune 1\,000 employees from all sectors of Healthcare to Banking\, Technology and more\, including those from Microsoft\, Levis\, Gap\, Universal Music Group\, NBC\, Google\, Amazon and scores of school districts throughout the US. She is an endorsed artist for Toca Percussion\, Vic Firth and Gibralter. \nNina uses Toca Freestyle Djembes\, Djun Djuns\, Timbales\, Congas\, Cajon and a variety of hand percussion. The authenticity\, tone\, pitch and extreme attention to detail make these products kick! Her interactive audiences love the Toca Freestyle Djembes. Their unique colorful designs\, along with their lightweight and durable construction\, make them a perfect fit for her drumming participants. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Event Sponsored By\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Artist Sponsored By\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Frequently Asked Questions (FAQ)\n Is this concert free?No\, this concert is only open to paying members. To learn more about MBAW’s membership and join\, click here. \nWhat is the parking situation?Parking is dependent upon each venue and will be communicated directly to members prior to the event. \nCan I see this artist elsewhere?Yes. This artist is available for another membership series and a free public concert. Please return to the event calendar to see these other events. \nCan I take pictures or video at the event?Please no flash photography during artist(s) performance. We would love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during their performance so as not to disrupt the event. \nDo you have other questions about this event or membership that require direct support?Contact us URL:https://musicalbridges.org/event/azul-barrientos-aaron-prado-trio-musica-viva-01-10-2027/ LOCATION:Location Upon RSVP CATEGORIES:Musica Viva! ATTACH;FMTTYPE=image/jpeg:https://musicalbridges.org/wp-content/uploads/2026/05/Azul-Barrientos-Aaron-Prado-Trio_MV_Website-Calendar-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20270110T190000 DTEND;TZID=America/Chicago:20270110T203000 DTSTAMP:20261019T152123Z CREATED:20260803T154818Z LAST-MODIFIED:20261019T152123Z UID:335123-1799607600-1799613000@musicalbridges.org SUMMARY:The Quilt: Live in Concert - Russell Hill Rogers Musical Evenings DESCRIPTION:Inspired by MBAW’s award-winning documentary “The Quilt”\, this special concert brings together The Jones Family Singers\, San Antonio Gospel Heritage Choir (of SAAACAM)\, Aaron Prado\, and the Agarita Chamber Ensemble to celebrate the rich legacy of African American music. As part of DreamWeek San Antonio\, the performance highlights genres born from deep cultural history with soulful and powerful storytelling. \n\n \n \n \n \n \n Venue Schedule\n6:15 PM – Doors Open7 PM – Concert Begins \n \n \n \n \n \n \n \n \n \n \n \n \n The Jones Family Singers\n \nThe Jones Family Singers\, consisting in part of five sisters\, two brothers and their father\, have been tearing up churches and festivals for almost three decades. And now with Live from Mt. Zion\, a follow up to 2014’s critically acclaimed studio effort The Spirit Speaks (Arts+Labor)\, this sensational gospel band has translated their awe inspiring stage show to an album that’s contagious and thrilling; a full on emotional explosion of passion and precision. Recorded at the family’s home base\, The Mt. Zion Pentecostal Holiness Church in the tiny town of Markham\, Texas\, this powerful compilation of songs shows a dynamic and timeless range of material and repertoire paired with vocal virtuosity and musicianship that holds its own with the top acts on the touring circuit today. \n“Modern practitioners of a long musical tradition…infusing their joyful\, reverent songs with elements of vintage soul and R&B” declares the Wall Street Journal. “The three-generation gospel collective’s high-energy performances are the living embodiment of the indelible connection between the black church and its rock and soul offspring” notes the Austin Chronicle. “It was all joyful praise\, brilliantly timed with one crescendo after another” boasts the New York Times\, and both Rolling Stone and NPR called them “a must see act” at SXSW. \nThe Jones Family Singers received a standing ovation at Lincoln Center and showcased at New York City’s globalFEST and The Kennedy Center in Washington\, DC in January 2015. The past couple of years saw them criss-crossing the globe with domestic and international appearances including Newport Folk Festival\, Playboy Jazz Festival\, Winnipeg Folk Festival\, Monterey Jazz Festival\, North Sea Jazz Festival\, a two week tour of Russia\, and an epic journey to the Holy Land. \nImpressed by the band’s fervor onstage and humility off\, Austin filmmaker Alan Berg decided in 2012 to make a documentary that explored the triumphs and tribulations of this working gospel band. The artistry he witnessed onstage along with the compelling family dynamic came to fruition at film festivals last spring\, entitled “The Jones Family Will Make a Way”. Buoyed by the live album and a growing fan base both religious and secular the band is eagerly hitting the road. Besides churches\, nightclubs\, concert series and music festivals\, they’ve also brought their powerful musical ministry to prisons\, interfaith events and community celebrations. \nArtist Website Bio: http://www.thejonesfamilysingers.com/the-band/ \n \n \n \n \n \n San Antonio Gospel Heritage Choir\n \nThe San Antonio Gospel Heritage Choir was founded by San Antonio African American Community Archive and Museum (SAAACAM) in 2023 to celebrate the legacy of gospel music in San Antonio. This multi-generational\, multicultural choir promotes SAAACAM’s mission to collect\, preserve and share the history and cultural heritage of African descendants in San Antonio and the Southwest.  \nThis will be the choir’s second time (first in 2025) performing for “The Quilt: Live in Concert”\, which is now becoming an annual favorite during Dreamweek San Antonio in January. \nArtist Website: https://saaacam.org/ \n  \n \n \n \n \n \n Agarita Chamber Ensemble\n \nAn innovative chamber ensemble dedicated to producing bold\, collaborative musical events\, Agarita offers a new way to experience classical and contemporary music. Founded by Daniel Anastasio (piano)\, Marisa Bushman (viola)\, Ignacio Gallego (cello) and Sarah Silver Manzke (violin)\, Agarita nourishes their community through artistic collaborations\, education\, community engagement\, and free\, adventurous programming. With concise\, eclectic performances that are “splendid – unified\, spirited\, [and] well prepared” (Greenberg\, Incident Light)\, the young chamber group offers a new\, open-armed experience for listeners. \nRooted in San Antonio\, Texas\, Agarita works intimately with artists of various genres to weave cross-artistic narratives for each concert\, all accessible and free of charge to the community\, in a bi-lingual format. Every program is unique. One concert with award-winning chef Elizabeth Johnson paired musical selections with dishes for the audience. Another with acclaimed poet Naomi Shihab Nye interwove her poetry readings with musical works inspired by her poetry. Writers\, photographers\, dancers\, sculptors\, lighting artists\, art museums\, and even a glassblower– Agarita is unafraid to pursue collaborations that challenge the concert medium to craft innovative\, inspiring musical experiences. In terms of collaboration with other musicians\, Agarita has performed with internationally acclaimed artists\, including guitarist Pablo Sáinz Villegas\, cellist Santiago Cañón-Valencia\, the Grammy-winning Imani Winds\, members of the Harlem\, Parker\, and Escher String Quartets\, and many more. \nArtist Website: https://www.agarita.org \n  \n \n \n \n \n \n Aaron Prado\n \nDr. Aaron Prado is a pianist\, composer\, educator\, and radio personality based in San Antonio\, Texas. Prado received a Doctorate of Musical Arts in piano performance at the University of Texas at Austin’s Butler School of Music in 2014. Prior to doctoral study\, Prado attended Columbia University for undergraduate study and New York University for a Master’s Degree. From 2003-2009\, Prado was Music Director and announcer at Trinity University’s jazz radio station – KRTU 91.7FM – and is currently the host of “Aaron Prado Presents” – heard Sundays 2:00 – 4:00 p.m. \nIn 2011\, Prado debuted his “San Antonio Jazz Suite” – a large-scale composition scored for big band\, string quartet\, and narration depicting the story of San Antonio. In 2015\, Prado published a book of transcriptions of solo recordings by jazz pianist Bill Evans (published by Hal Leonard). In 2018\, Prado received the Paul Elizondo Grant for the Performing Arts from The Artist Foundation of San Antonio to compose a concert work called “The Hero’s Journey” and the piece premiered at Luminaria 2018 at the Instituto Cultural de Mexico. In 2019\, Prado released two new CDs “Live at Jazz\, TX” with his sextet and a trio album of original music titled “And Now…” Prado teaches music at Northwest Vista College and performs regularly in the South Texas area with his ensembles. \nArtist Website: https://www.instagram.com/aaron_e_prado/ \n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SPONSOR OF ARTISTIC FEES \n \n \n \n \n \n \n \n \n \n \n \n PARTNERS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n General FAQs\n \nTickets\nTickets are required to enter the concert\, but they are free! Seating is first-come-first-served. Tickets are available through each event on our event calendar or on Eventbrite. \nCheck-in\nTo help our staff and volunteers\, please have your ticket ready when you get there. Staff and volunteers will be ready to scan the QR code located on your ticket (print\, email\, or app). \nDoor Opening\nDoor opening times for Musical Evenings events will occur at 6:15 PM\, unless otherwise stated per event.  \nHealth & Safety Statement\nMusical Bridges Around the World will follow the most up-to-date safety guidelines for fine arts performance halls per the State of Texas\, as well as any other measures necessary for the ensured safety of its attendees. It is within MBAW and the venue’s right and discretion as private entities to enact these safety protocols for its attendees. \nLost Ticket/Refund Policy\nAn attendant at the door can help you register and get in quickly and easily. If you have registered but have forgotten the ticket\, an attendant can pull up your name and check you in manually. \nIf you cannot attend\, we ask that you cancel your free ticket order. This helps our ticket management process and eases the check-in process for staff/volunteers and guests on the day of. \nPhotography & Video\nNo flash photography or full-frame cameras unless given a press pass. We love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during the performance so as not to disrupt the event. \nSeating\nSeating is first-come-first-served\, apart from any clearly marked reserved or VIP seating. \nSilence Your Phone\nPlease silence phones/devices during the performance. \nWill Call\nPaper tickets are not available unless otherwise arranged\, as all tickets run through the Eventbrite system. If you wish to print out your Eventbrite tickets for check-in\, you may do so\, but do not expect to be able to pick up physical tickets at a box office. \nAny other questions? Contact us. \n\n\n  \n\n \n \n \n \n \n Venue-Related FAQs\n \nAccessibility\nTwo ADA-accessible ramp building entrances are available on each side of the building. There are designated areas on the first floor of the theater for wheelchairs if needed. Second-floor mezzanine seating is not ADA accessible\, as there is no elevator. \nFood & Drink\nNo outside food or beverages. \nParking\nParking is FREE\, and available at the following spots below (click to open Google Map location): \n\nCarver Administration lot\nSt. Paul lot\nCarver Academy lot\nCenter St. parking\nGibbs St. parking\n\nAny other questions? Contact us. URL:https://musicalbridges.org/event/the-quilt-live-in-concert-musical-evenings-01-10-2027/ LOCATION:Carver Community Cultural Center\, 226 N Hackberry\, San Antonio\, TX\, 78202\, United States CATEGORIES:Russell Hill Rogers Musical Evenings,The Quilt ATTACH;FMTTYPE=image/jpeg:https://musicalbridges.org/wp-content/uploads/2026/06/The-Quilt_Website-Calendar-1-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20270214T140000 DTEND;TZID=America/Chicago:20270214T150000 DTSTAMP:20260914T202610Z CREATED:20260617T202040Z LAST-MODIFIED:20260914T202610Z UID:335119-1802613600-1802617200@musicalbridges.org SUMMARY:Jason Moran - Russell Hill Rogers Musical Evenings DESCRIPTION:Note: This Valentine’s Day concert is scheduled for 2 PM so as not to conflict with Super Bowl Sunday \nAmerican jazz pianist and performance artist Jason Moran is renowned for his dynamic\, boundary-pushing live shows\, seamlessly blending avant-garde\, stride piano\, blues\, and hip-hop into a powerful\, genre-defying experience. The former Kennedy Center Artistic Director and current New England Conservatory faculty member brings an unmatched energy with his latest show\, “My Heart Sings: The Music of Duke Ellington”. \n. \n \n \n \n \n \n Venue Schedule\n1 PM Doors2 PM Concert \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS: \n \n \n \n \n \n Jason Moran\n \n\n\n\n\n\n\n\n\nBorn in Houston\, Texas in 1975\, Jason Moran began his musical journey discovering Thelonious Monk\, an experience that set the course for his career. He went on to study at the Manhattan School of Music and made his recording debut on Blue Note Records in 1999\, earning widespread critical acclaim and being named “the most provocative thinker in current jazz” by Rolling Stone. \nA MacArthur Fellowship recipient\, Moran has performed and recorded with artists including Cassandra Wilson\, Joe Lovano\, and Ravi Coltrane\, and has topped the Down Beat Critics Poll multiple times. He is currently the Artistic Director for Jazz at the John F. Kennedy Center for the Performing Arts\, where he develops programming for one of the largest jazz programs in the United States. \n\n\n\n\n\n\n \n\n\n\n\nArtist Website Bio: https://whitney.org/exhibitions/jason-moran\n \n \n \n \n \n Event Sponsored by Drs. Bradley Kayser & Gemma Kennedy\, Chuck & Anne Parrish\, and James E. Sanders \n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SPONSOR OF ARTISTIC FEES \n \n \n \n \n \n \n \n \n \n \n \n PARTNERS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n General FAQs\n \nTickets\nTickets are required to enter the concert\, but they are free! Seating is first-come-first-served. Tickets are available through each event on our event calendar or on Eventbrite. \nCheck-in\nTo help our staff and volunteers\, please have your ticket ready when you get there. Staff and volunteers will be ready to scan the QR code located on your ticket (print\, email\, or app). \nDoor Opening\nDoor opening times for Musical Evenings events will occur at 6:15 PM\, unless otherwise stated per event.  \nHealth & Safety Statement\nMusical Bridges Around the World will follow the most up-to-date safety guidelines for fine arts performance halls per the State of Texas\, as well as any other measures necessary for the ensured safety of its attendees. It is within MBAW and the venue’s right and discretion as private entities to enact these safety protocols for its attendees. \nLost Ticket/Refund Policy\nAn attendant at the door can help you register and get in quickly and easily. If you have registered but have forgotten the ticket\, an attendant can pull up your name and check you in manually. \nIf you cannot attend\, we ask that you cancel your free ticket order. This helps our ticket management process and eases the check-in process for staff/volunteers and guests on the day of. \nPhotography & Video\nNo flash photography or full-frame cameras unless given a press pass. We love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during the performance so as not to disrupt the event. \nSeating\nSeating is first-come-first-served\, apart from any clearly marked reserved or VIP seating. \nSilence Your Phone\nPlease silence phones/devices during the performance. \nWill Call\nPaper tickets are not available unless otherwise arranged\, as all tickets run through the Eventbrite system. If you wish to print out your Eventbrite tickets for check-in\, you may do so\, but do not expect to be able to pick up physical tickets at a box office. \nAny other questions? Contact us. \n\n\n  \n\n \n \n \n \n \n Venue-Related FAQs\n \nAccessibility\nTwo ADA-accessible ramp building entrances are available on each side of the building. There are designated areas on the first floor of the theater for wheelchairs if needed. Second-floor mezzanine seating is not ADA accessible\, as there is no elevator. \nFood & Drink\nNo outside food or beverages. \nParking\nParking is FREE\, and available at the following spots below (click to open Google Map location): \n\nCarver Administration lot\nSt. Paul lot\nCarver Academy lot\nCenter St. parking\nGibbs St. parking\n\nAny other questions? Contact us. URL:https://musicalbridges.org/event/jason-moran-musical-evenings-02-14-2027/ LOCATION:Carver Community Cultural Center\, 226 N Hackberry\, San Antonio\, TX\, 78202\, United States CATEGORIES:Russell Hill Rogers Musical Evenings ATTACH;FMTTYPE=image/jpeg:https://musicalbridges.org/wp-content/uploads/2026/06/Jason-Moran_Website-Calendar-1-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20270313T170000 DTEND;TZID=America/Chicago:20270313T170000 DTSTAMP:20260611T180559Z CREATED:20260611T180559Z LAST-MODIFIED:20260611T180559Z UID:334280-1804957200-1804957200@musicalbridges.org SUMMARY:Quatuor Agate - Impresario Club DESCRIPTION:Interested in this event and not a member? Click here to learn more \n \n \n \n \n \n Named after the muse behind one of Johannes Brahms’s most beautiful chamber works\, this acclaimed French string quartet has rapidly ascended to the global stage as ECHO Rising Stars. Combining rigorous European classical training with a distinctly French sensibility\, they bring deeply moving interpretations to the world’s most prestigious concert halls. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS: \n \n \n \n \n \n Quatuor Agate\n  \n\n\nFormed in 2016 and named after Brahms’s Second Sextet\, Quatuor Agate is a French string quartet that has quickly risen to international prominence. Distinguished in competitions including the Banff International String Quartet Competition and the Young Classical Artists Trust in London\, they have performed at major venues including the Concertgebouw Amsterdam\, Wigmore Hall\, and Philharmonie de Paris. \nTheir debut album featuring the complete Brahms String Quartets was released in 2024\, and they are currently residents of the Conservatoire Rachmaninoff in Paris. The 2025/26 season sees them tour the US\, Canada\, and Mexico\, with upcoming residencies in Germany and Australia. \n \n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Frequently Asked Questions (FAQ)\n Is this concert free?No\, this concert is only open to paying members. To learn more about MBAW’s membership and join\, click here. \nWhat is the parking situation?Parking is dependent upon each venue and will be communicated directly to members prior to the event. \nCan I see this artist elsewhere?Yes. This artist is available for another membership series and a free public concert. Please return to the event calendar to see these other events. \nCan I take pictures or video at the event?Please no flash photography during artist(s) performance. We would love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during their performance so as not to disrupt the event. \nDo you have other questions about this event or membership that require direct support?Contact us URL:https://musicalbridges.org/event/quatuor-agate-impresario-club-03-13-2027/ LOCATION:Roosevelt Library\, 311 Roosevelt Ave\, San Antonio\, TX 78210 CATEGORIES:Impresario Club ATTACH;FMTTYPE=image/jpeg:https://musicalbridges.org/wp-content/uploads/2026/05/Quatuor-Agate_IC_Website-Calendar-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20270314T113000 DTEND;TZID=America/Chicago:20270314T113000 DTSTAMP:20260909T192611Z CREATED:20260611T180530Z LAST-MODIFIED:20260909T192611Z UID:334270-1805023800-1805023800@musicalbridges.org SUMMARY:Quatuor Agate - Musica Viva! DESCRIPTION:Interested in this event and not a member? Click here to learn more \n \n \n \n \n \n Named after the muse behind one of Johannes Brahms’s most beautiful chamber works\, this acclaimed French string quartet has rapidly ascended to the global stage as ECHO Rising Stars. Combining rigorous European classical training with a distinctly French sensibility\, they bring deeply moving interpretations to the world’s most prestigious concert halls. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS: \n \n \n \n \n \n Quatuor Agate\n Formed in 2016 and named after Brahms’s Second Sextet\, Quatuor Agate is a French string quartet that has quickly risen to international prominence. Distinguished in competitions including the Banff International String Quartet Competition and the Young Classical Artists Trust in London\, they have performed at major venues including the Concertgebouw Amsterdam\, Wigmore Hall\, and Philharmonie de Paris. \nTheir debut album featuring the complete Brahms String Quartets was released in 2024\, and they are currently residents of the Conservatoire Rachmaninoff in Paris. The 2025/26 season sees them tour the US\, Canada\, and Mexico\, with upcoming residencies in Germany and Australia. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Artist Sponsored By\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Event Sponsored By\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Frequently Asked Questions (FAQ)\n Is this concert free?No\, this concert is only open to paying members. To learn more about MBAW’s membership and join\, click here. \nWhat is the parking situation?Parking is dependent upon each venue and will be communicated directly to members prior to the event. \nCan I see this artist elsewhere?Yes. This artist is available for another membership series and a free public concert. Please return to the event calendar to see these other events. \nCan I take pictures or video at the event?Please no flash photography during artist(s) performance. We would love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during their performance so as not to disrupt the event. \nDo you have other questions about this event or membership that require direct support?Contact us URL:https://musicalbridges.org/event/quatuor-agate-musica-viva-03-14-2027/ LOCATION:Location Upon RSVP CATEGORIES:Musica Viva! ATTACH;FMTTYPE=image/jpeg:https://musicalbridges.org/wp-content/uploads/2026/05/Quatuor-Agate_MV_Website-Calendar-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20270314T190000 DTEND;TZID=America/Chicago:20270314T200000 DTSTAMP:20260803T154859Z CREATED:20260803T154859Z LAST-MODIFIED:20260803T154859Z UID:335065-1805050800-1805054400@musicalbridges.org SUMMARY:Quatuor Agate - Russell Hill Rogers Musical Evenings DESCRIPTION:Named after the muse behind one of Johannes Brahms’s most beautiful chamber works\, this acclaimed French string quartet has rapidly ascended to the global stage as ECHO Rising Stars. Combining rigorous European classical training with a distinctly French sensibility\, they bring deeply moving interpretations to the world’s most prestigious concert halls. \n \n \n \n \n \n Venue Schedule\n6:15 PM Doors7 PM Concert \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS: \n \n \n \n \n \n Quatuor Agate\n \nFormed in 2016 and named after Brahms’s Second Sextet\, Quatuor Agate is a French string quartet that has quickly risen to international prominence. Distinguished in competitions including the Banff International String Quartet Competition and the Young Classical Artists Trust in London\, they have performed at major venues including the Concertgebouw Amsterdam\, Wigmore Hall\, and Philharmonie de Paris. \nTheir debut album featuring the complete Brahms String Quartets was released in 2024\, and they are currently residents of the Conservatoire Rachmaninoff in Paris. The 2025/26 season sees them tour the US\, Canada\, and Mexico\, with upcoming residencies in Germany and Australia. \nArtist Website Bio: https://quatuoragate.com/biography/ \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SPONSOR OF ARTISTIC FEES \n \n \n \n \n \n \n \n \n \n \n \n PARTNERS \n \n \n \n \n \n \n \n \n \n \n \n OFFICIAL RESTAURANT PARTNER \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n General FAQs\n \nTickets\nTickets are required to enter the concert\, but they are free! Seating is first-come-first-served. Tickets are available through each event on our event calendar or on Eventbrite. \nCheck-in\nTo help our staff and volunteers\, please have your ticket ready when you get there. Staff and volunteers will be ready to scan the QR code located on your ticket (print\, email\, or app). \nDoor Opening\nDoor opening times for Musical Evenings events will occur at 6:15 PM\, unless otherwise stated per event.  \nHealth & Safety Statement\nMusical Bridges Around the World will follow the most up-to-date safety guidelines for fine arts performance halls per the State of Texas\, as well as any other measures necessary for the ensured safety of its attendees. It is within MBAW and the venue’s right and discretion as private entities to enact these safety protocols for its attendees. \nLost Ticket/Refund Policy\nAn attendant at the door can help you register and get in quickly and easily. If you have registered but have forgotten the ticket\, an attendant can pull up your name and check you in manually. \nIf you cannot attend\, we ask that you cancel your free ticket order. This helps our ticket management process and eases the check-in process for staff/volunteers and guests on the day of. \nPhotography & Video\nNo flash photography or full-frame cameras unless given a press pass. We love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during the performance so as not to disrupt the event. \nSeating\nSeating is first-come-first-served\, apart from any clearly marked reserved or VIP seating. \nSilence Your Phone\nPlease silence phones/devices during the performance. \nWill Call\nPaper tickets are not available unless otherwise arranged\, as all tickets run through the Eventbrite system. If you wish to print out your Eventbrite tickets for check-in\, you may do so\, but do not expect to be able to pick up physical tickets at a box office. \nAny other questions? Contact us. \n\n\n  \n\n \n \n \n \n \n Venue-Related FAQs\n \nAnimals\nAnimals or pets of any kind are prohibited in the Cathedral except for trained and credentialed service animals for guests with disabilities. Service animals are welcome inside the venue but must remain on a leash or in a harness at all times. \nAccessibility\nA handicap-accessible entrance is located on the left (south side) of the Cathedral. Space can be made available for those with a wheelchair. \nCode of Conduct\nAs a reminder\, the Cathedral is considered a sacred space\, so we ask that you show due decorum/politeness for the space as is expected. Guests are encouraged to report any inappropriate behavior to the nearest attendant\, staff\, or security officer. \nDress Code\nAll guests are required to wear a shirt\, pants/shorts/skirt\, and shoes for their own safety. We also ask as a courtesy that you remove your hat while within the Cathedral. \nEntry\nTwo (2) entrances (left and right vestibules/narthexes) are on the front (east side) of the Cathedral\, accessible from the Main Plaza. A handicap-accessible entrance is located on the left (south side) of the Cathedral. Attendees will be required to check in at any of these doors. \nFood & Drink\nFood and drink are not allowed in the Cathedral other than bottled/enclosed water. \nFlyers/Handouts/Product Samples\nThe distribution of promotional items\, flyers\, or printed materials is not permitted without written or express permission from MBAW or San Fernando Cathedral. The sampling and distribution of products is prohibited. \nLost & Found\nIf you realize you’ve lost an item while still in the building\, please inquire with the San Fernando Cathedral at 210-227-1297. MBAW and San Fernando Cathedral assume no responsibility for lost items. \nParking\nCity Paystations and Meters (see City logo at Paystations) are free on Sundays. If you have a disabled parking placard\, you may park at these at any day/time for free. Lot and garage parking is also available and can be searched through this link: The City of San Antonio – Downtown Parking Search \nRecommended lots that are close to the Cathedral:City Tower Garage (117 W Commerce St) ~ 1 min walk [351 ft]Bexar County Parking Garage (300 Dolorosa) ~ 5 min walk [0.2 mile]Houston Street Garage (111 College St) ~ 7 min walk [0.3 mile]Market Square Lot (612 W Commerce St) ~ 10 min walk [0.5 mile] \nProhibited Items\nProhibited items include: all weapons including pocket knives\, outside food and beverage besides water bottles\, cans\, outside alcohol\, drugs\, laser pens\, utility tools\, laptops/tablets\, musical instruments\, video cameras\, monopods\, tripods\, audio recording devices (unless special permission is granted)\, selfie sticks and cameras with telephoto or zoom lenses (unless special permission granted). Texas state law prohibits smoking in the facility. \nRestricted Areas\nThe altar\, its stage\, and the chancel area behind the altar are off-limits for all guests/attendees. \nRestrooms & Water Fountain\nA men’s\, women’s\, family restroom\, and water fountain are located on the first floor of the adjacent building south of the Cathedral. The door to the restroom area is in the west inside corner of this building\, perpendicular to a set of double doors. There is a restroom plaque/sign indicating towards the door. (Tip: If you are coming through the courtyard from the front left of the Cathedral\, walk straight until you reach the handicap entrance\, then make a left. The door will be in the corner alcove.) \nSecurity\nMultiple security/off-duty officers are on the premises at all times for your protection. All guests and all bags may or may not be subject to a security screening by a security officer. \nSmoking\nBy law\, smoking in all areas of San Fernando Cathedral is prohibited. You may smoke outside the building in designated smoking areas. Lighting of matches\, lighters\, or any other flammable devices is not permitted within the building\, and use of these devices may result in ejection from the building. All smoking and similar paraphernalia (including E-cigarettes and similar devices) is strictly prohibited. \nAny other questions? Contact us. URL:https://musicalbridges.org/event/quatuor-agate-musical-evenings-03-14-2027/ LOCATION:San Fernando Cathedral\, 115 Main Plaza\, San Antonio\, TX\, 78205\, United States CATEGORIES:Russell Hill Rogers Musical Evenings ATTACH;FMTTYPE=image/jpeg:https://musicalbridges.org/wp-content/uploads/2026/06/Quatuor-Agate_Website-Calendar-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20270411T190000 DTEND;TZID=America/Chicago:20270411T200000 DTSTAMP:20260803T154844Z CREATED:20260803T154844Z LAST-MODIFIED:20260803T154844Z UID:335121-1807470000-1807473600@musicalbridges.org SUMMARY:Leonardo Colafelice - Russell Hill Rogers Musical Evenings DESCRIPTION:Italian pianist Leonardo Colafelice is globally recognized for his breathtaking virtuosity and engaging stage presence. A winner of over 60 international competitions\, including top honors at the Gina Bachauer and winning Bronze Medal and Audience Favorite Award at the 2020 Gurwitz International Piano Competition in San Antonio\, TX\, he is renowned for tackling demanding transcriptions with effortless brilliance. Colafelice brings a thrilling\, dramatic energy to the stage\, also regularly performing worldwide as a premier orchestral soloist. \n \n \n \n \n \n Venue Schedule\n6:15 PM Doors7 PM Concert \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS: \n \n \n \n \n \n Leonardo Colafelice\n \nBorn in Altamura\, Italy in 1995\, Leonardo Colafelice is a piano professor at the Conservatory of Music in Bari\, where he graduated with the highest honors. A prize-winner at major international competitions including the Cleveland International Piano Competition and the Gurwitz International Piano Competition in San Antonio\, he has performed with prestigious orchestras such as the Cleveland Orchestra and the Israel Philharmonic under distinguished conductors worldwide. \nHe serves as Artistic Director of the Teatro Mercadante concert season and founder of the Festival dell’Alta Murgia\, cementing his role as a leading figure in Italy’s cultural landscape. \nArtist Website Bio: https://www.leonardocolafelice.com/bio \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SPONSOR OF ARTISTIC FEES \n \n \n \n \n \n \n \n \n \n \n \n PARTNERS \n \n \n \n \n \n \n \n \n \n \n \n OFFICIAL RESTAURANT PARTNER \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n General FAQs\n \nTickets\nTickets are required to enter the concert\, but they are free! Seating is first-come-first-served. Tickets are available through each event on our event calendar or on Eventbrite. \nCheck-in\nTo help our staff and volunteers\, please have your ticket ready when you get there. Staff and volunteers will be ready to scan the QR code located on your ticket (print\, email\, or app). \nDoor Opening\nDoor opening times for Musical Evenings events will occur at 6:15 PM\, unless otherwise stated per event.  \nHealth & Safety Statement\nMusical Bridges Around the World will follow the most up-to-date safety guidelines for fine arts performance halls per the State of Texas\, as well as any other measures necessary for the ensured safety of its attendees. It is within MBAW and the venue’s right and discretion as private entities to enact these safety protocols for its attendees. \nLost Ticket/Refund Policy\nAn attendant at the door can help you register and get in quickly and easily. If you have registered but have forgotten the ticket\, an attendant can pull up your name and check you in manually. \nIf you cannot attend\, we ask that you cancel your free ticket order. This helps our ticket management process and eases the check-in process for staff/volunteers and guests on the day of. \nPhotography & Video\nNo flash photography or full-frame cameras unless given a press pass. We love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during the performance so as not to disrupt the event. \nSeating\nSeating is first-come-first-served\, apart from any clearly marked reserved or VIP seating. \nSilence Your Phone\nPlease silence phones/devices during the performance. \nWill Call\nPaper tickets are not available unless otherwise arranged\, as all tickets run through the Eventbrite system. If you wish to print out your Eventbrite tickets for check-in\, you may do so\, but do not expect to be able to pick up physical tickets at a box office. \nAny other questions? Contact us. \n\n\n  \n\n \n \n \n \n \n Venue-Related FAQs\n \nAnimals\nAnimals or pets of any kind are prohibited in the Cathedral except for trained and credentialed service animals for guests with disabilities. Service animals are welcome inside the venue but must remain on a leash or in a harness at all times. \nAccessibility\nA handicap-accessible entrance is located on the left (south side) of the Cathedral. Space can be made available for those with a wheelchair. \nCode of Conduct\nAs a reminder\, the Cathedral is considered a sacred space\, so we ask that you show due decorum/politeness for the space as is expected. Guests are encouraged to report any inappropriate behavior to the nearest attendant\, staff\, or security officer. \nDress Code\nAll guests are required to wear a shirt\, pants/shorts/skirt\, and shoes for their own safety. We also ask as a courtesy that you remove your hat while within the Cathedral. \nEntry\nTwo (2) entrances (left and right vestibules/narthexes) are on the front (east side) of the Cathedral\, accessible from the Main Plaza. A handicap-accessible entrance is located on the left (south side) of the Cathedral. Attendees will be required to check in at any of these doors. \nFood & Drink\nFood and drink are not allowed in the Cathedral other than bottled/enclosed water. \nFlyers/Handouts/Product Samples\nThe distribution of promotional items\, flyers\, or printed materials is not permitted without written or express permission from MBAW or San Fernando Cathedral. The sampling and distribution of products is prohibited. \nLost & Found\nIf you realize you’ve lost an item while still in the building\, please inquire with the San Fernando Cathedral at 210-227-1297. MBAW and San Fernando Cathedral assume no responsibility for lost items. \nParking\nCity Paystations and Meters (see City logo at Paystations) are free on Sundays. If you have a disabled parking placard\, you may park at these at any day/time for free. Lot and garage parking is also available and can be searched through this link: The City of San Antonio – Downtown Parking Search \nRecommended lots that are close to the Cathedral:City Tower Garage (117 W Commerce St) ~ 1 min walk [351 ft]Bexar County Parking Garage (300 Dolorosa) ~ 5 min walk [0.2 mile]Houston Street Garage (111 College St) ~ 7 min walk [0.3 mile]Market Square Lot (612 W Commerce St) ~ 10 min walk [0.5 mile] \nProhibited Items\nProhibited items include: all weapons including pocket knives\, outside food and beverage besides water bottles\, cans\, outside alcohol\, drugs\, laser pens\, utility tools\, laptops/tablets\, musical instruments\, video cameras\, monopods\, tripods\, audio recording devices (unless special permission is granted)\, selfie sticks and cameras with telephoto or zoom lenses (unless special permission granted). Texas state law prohibits smoking in the facility. \nRestricted Areas\nThe altar\, its stage\, and the chancel area behind the altar are off-limits for all guests/attendees. \nRestrooms & Water Fountain\nA men’s\, women’s\, family restroom\, and water fountain are located on the first floor of the adjacent building south of the Cathedral. The door to the restroom area is in the west inside corner of this building\, perpendicular to a set of double doors. There is a restroom plaque/sign indicating towards the door. (Tip: If you are coming through the courtyard from the front left of the Cathedral\, walk straight until you reach the handicap entrance\, then make a left. The door will be in the corner alcove.) \nSecurity\nMultiple security/off-duty officers are on the premises at all times for your protection. All guests and all bags may or may not be subject to a security screening by a security officer. \nSmoking\nBy law\, smoking in all areas of San Fernando Cathedral is prohibited. You may smoke outside the building in designated smoking areas. Lighting of matches\, lighters\, or any other flammable devices is not permitted within the building\, and use of these devices may result in ejection from the building. All smoking and similar paraphernalia (including E-cigarettes and similar devices) is strictly prohibited. \nAny other questions? Contact us. URL:https://musicalbridges.org/event/leonardo-colafelice-musical-evenings-04-11-2027/ LOCATION:San Fernando Cathedral\, 115 Main Plaza\, San Antonio\, TX\, 78205\, United States CATEGORIES:Russell Hill Rogers Musical Evenings,The Gurwitz International Piano Competition ATTACH;FMTTYPE=image/jpeg:https://musicalbridges.org/wp-content/uploads/2026/06/Leonardo-Colafelice_Website-Calendar-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20270508T170000 DTEND;TZID=America/Chicago:20270508T170000 DTSTAMP:20260611T180559Z CREATED:20260611T180559Z LAST-MODIFIED:20260611T180559Z UID:334278-1809795600-1809795600@musicalbridges.org SUMMARY:Janoska Ensemble - Impresario Club DESCRIPTION:Interested in this event and not a member? Click here to learn more \n \n \n \n \n \n This Vienna-based\, gold-record-winning virtuoso quartet shatters genre boundaries by blending classical mastery with thrilling improvisational flair. Drawing on generations of family musicianship\, they deliver high-energy\, standing-ovation performances across four continents. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS: \n \n \n \n \n \n The Ensemble\n The Janoskas have been making music for seven generations\, Julius Darvas builds on three generations and more of double bass playing. Another quality shared by the ensemble’s members is a first-rate classical education and prizewinning solo achievement. \nSelectively enriching their programs\, often with evocative titles\, compositions of their own serve as emotional visiting-cards that shed a revealing light on the personalities of these outstanding artists. In their own individual styles\, the four musicians join in expressing their love of improvisation with enthusiastic abandon and consummate virtuosity and are rewarded for their achievement at live performances on four continents to date with rapturous applause from a discerning audience. The Janoska Ensemble is – in pop jargon – a “live band”. The emotional intelligence and subtle humor of the artists’ interaction with their audience and their masterfully staged play on familiar melodies and surprise effects in the musical numbers they have newly created can be relied upon to stir listeners from their seats\, who almost invariably\, at the end of the concert\, show their appreciation in enthusiastic standing ovations. \nTheir Janoska Style\, their never merely superficial virtuosity and their ability to engage with one another and their audience in quick-fire musical dialogue have brought the artists invitations from big-name stage personalities such as Anna Netrebko\, Al Jarreau\, Bobby McFerrin\, Juan Diego Florez\, Brian McKnight\, Julian Rachlin\, Randy Newman\, Biréli Lagrène or Lalo Schifrin. \nThe Janoska Ensemble transmits an inexhaustible passion for making music\, despite their full calendar of engagements and tours\, and the four musicians are constantly working on new programmes and projects. Their unique “Janoska Style” forms the basis for all that is yet to come\, representing the seal of approval for one of the most thrilling and universal music ensembles of the present day. \nThe Janoska Ensemble is also in a kind of continuous “improvisation mission” in terms of workshops and master classes: This teaching activity led the four musicians\, among others to the Kronberg Academy\, Amadeus Festival Vienna\, Masterclasses in Hong Kong or to the Menuhin Festival in Gstaad. The reactions of the course participants were euphoric throughout: The collaboration with the Janoska Ensemble – so their general opinion – gave them much more confidence to improvise freely in the classic context. \n \n \n \n \n \n František janoška\, piano\n \nborn in Bratislava in 1986\, first studied at the local conservatory and continued his studies at the University of Music and Performing Arts in Vienna. He has won prizes at numerous competitions\, including the Franz Liszt Piano Competition in Hungary\, and has worked with renowned classical orchestras. František made his debut as a composer with his Symphony entitled „Impressions along the Danube”\, premiered at Vienna Konzerthaus in May 2019\, the release of the first movement „Bratislava“ has been performed by Vienna Symphony Orchestra under the baton of Ádám Fischer at the Wiener Musikverein in spring 2018. His first “Rhapsody”\, commissioned by Esterházy Palace (Eisenstadt) was premièred in August 2019 together with the Haydn Philharmonic. \nFrantišek Janoska is Bösendorfer Artist. \n \n \n \n \n \n Julius Darvas\, double bass\n \nwas born in Constance\, Germany\, in 1976 in a renowned family of musicians from Hungary\, who had been cultivating the genre of double bass for more than three generations. Julius Darvas received his first lessons from his father at the age of 9. He first studied at the Landeskonservatorium Feldkirch (Austria)\, where he completed his studies with the concert diploma. He later changed to the Vienna University of Music and graduated with distinction under Alois Posch. The first prize winner of the Budapest Jazz Double Bass Competition in the “Foreigner” category has been a member of the Vienna State Opera Stage Orchestra since 2001 until 2023 and has regularly participated in concerts and tours of the Vienna Philharmonic Orchestra. \nJulius Darvas is Thomastik-Infeld Artist. \n \n \n \n \n \n Ondrej Janoska\, violin\n \nwas born in Bratislava in 1985. Already at the age of 10\, he was accepted into the class of Jozef Kopelman at the local state conservatory. The winner of numerous renowned violin competitions studied from 2000 at the Vienna Conservatory and at the same time at the University of Music and Performing Arts in Graz with Boris Kuschnir. From 2008 to 2012\, Ondrej was a member of the first violins of the Vienna State Opera Orchestra and the Vienna Philharmonic Orchestra. Since its foundation in 2013\, Ondrej has been touring exclusively with the Janoska Ensemble throughout Europe and the whole world. \nOndrej Janoska is Thomastik-Infeld Artist and plays a 1760 Carlo Ferdinando Landolfi violin\, kindly loaned to him by Goh Family Collection. \n \n \n \n \n \n Roman Janoska\, violin\n \nwas born in Bratislava in 1989. At the age of 5\, he started to play the violin. Later\, he studied at the conservatories of Bratislava and Vienna (in the class of Pavel Vernikov). Performances and concerts\, both as a “classical” and as a jazz violinist\, regularly took and take him to major international concert halls. As a prize-winner of numerous competitions\, Roman impresses audiences with ingenuity and inspired improvisations\, especially in the field of Jazz. \nRoman Janoska is Thomastik-Infeld Artist and plays a Ferdinandus Gagliano Filius\, Nicolai fecit Neap. 1769\, kindly loaned to him by Dr. Christian Kuhn Collection. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Frequently Asked Questions (FAQ)\n Is this concert free?No\, this concert is only open to paying members. To learn more about MBAW’s membership and join\, click here. \nWhat is the parking situation?Parking is dependent upon each venue and will be communicated directly to members prior to the event. \nCan I see this artist elsewhere?Yes. This artist is available for another membership series and a free public concert. Please return to the event calendar to see these other events. \nCan I take pictures or video at the event?Please no flash photography during artist(s) performance. We would love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during their performance so as not to disrupt the event. \nDo you have other questions about this event or membership that require direct support?Contact us URL:https://musicalbridges.org/event/janoska-ensemble-impresario-club-05-08-2027/ LOCATION:Roosevelt Library\, 311 Roosevelt Ave\, San Antonio\, TX 78210 CATEGORIES:Impresario Club ATTACH;FMTTYPE=image/jpeg:https://musicalbridges.org/wp-content/uploads/2026/05/Janoska-Ensemble_IC_Website-Calendar-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20270509T113000 DTEND;TZID=America/Chicago:20270509T113000 DTSTAMP:20261006T172014Z CREATED:20260611T180530Z LAST-MODIFIED:20261006T172014Z UID:334268-1809862200-1809862200@musicalbridges.org SUMMARY:Janoska Ensemble - Musica Viva! DESCRIPTION:Interested in this event and not a member? Click here to learn more \n \n \n \n \n \n This Vienna-based\, gold-record-winning virtuoso quartet shatters genre boundaries by blending classical mastery with thrilling improvisational flair. Drawing on generations of family musicianship\, they deliver high-energy\, standing-ovation performances across four continents.  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS: \n \n \n \n \n \n The Ensemble\n The Janoskas have been making music for seven generations\, Julius Darvas builds on three generations and more of double bass playing. Another quality shared by the ensemble’s members is a first-rate classical education and prizewinning solo achievement. \nSelectively enriching their programs\, often with evocative titles\, compositions of their own serve as emotional visiting-cards that shed a revealing light on the personalities of these outstanding artists. In their own individual styles\, the four musicians join in expressing their love of improvisation with enthusiastic abandon and consummate virtuosity and are rewarded for their achievement at live performances on four continents to date with rapturous applause from a discerning audience. The Janoska Ensemble is – in pop jargon – a “live band”. The emotional intelligence and subtle humor of the artists’ interaction with their audience and their masterfully staged play on familiar melodies and surprise effects in the musical numbers they have newly created can be relied upon to stir listeners from their seats\, who almost invariably\, at the end of the concert\, show their appreciation in enthusiastic standing ovations. \nTheir Janoska Style\, their never merely superficial virtuosity and their ability to engage with one another and their audience in quick-fire musical dialogue have brought the artists invitations from big-name stage personalities such as Anna Netrebko\, Al Jarreau\, Bobby McFerrin\, Juan Diego Florez\, Brian McKnight\, Julian Rachlin\, Randy Newman\, Biréli Lagrène or Lalo Schifrin. \nThe Janoska Ensemble transmits an inexhaustible passion for making music\, despite their full calendar of engagements and tours\, and the four musicians are constantly working on new programmes and projects. Their unique “Janoska Style” forms the basis for all that is yet to come\, representing the seal of approval for one of the most thrilling and universal music ensembles of the present day. \nThe Janoska Ensemble is also in a kind of continuous “improvisation mission” in terms of workshops and master classes: This teaching activity led the four musicians\, among others to the Kronberg Academy\, Amadeus Festival Vienna\, Masterclasses in Hong Kong or to the Menuhin Festival in Gstaad. The reactions of the course participants were euphoric throughout: The collaboration with the Janoska Ensemble – so their general opinion – gave them much more confidence to improvise freely in the classic context. \n \n \n \n \n \n František janoška\, piano\n \nborn in Bratislava in 1986\, first studied at the local conservatory and continued his studies at the University of Music and Performing Arts in Vienna. He has won prizes at numerous competitions\, including the Franz Liszt Piano Competition in Hungary\, and has worked with renowned classical orchestras. František made his debut as a composer with his Symphony entitled „Impressions along the Danube”\, premiered at Vienna Konzerthaus in May 2019\, the release of the first movement „Bratislava“ has been performed by Vienna Symphony Orchestra under the baton of Ádám Fischer at the Wiener Musikverein in spring 2018. His first “Rhapsody”\, commissioned by Esterházy Palace (Eisenstadt) was premièred in August 2019 together with the Haydn Philharmonic. \nFrantišek Janoska is Bösendorfer Artist. \n \n \n \n \n \n Julius Darvas\, double bass\n \nwas born in Constance\, Germany\, in 1976 in a renowned family of musicians from Hungary\, who had been cultivating the genre of double bass for more than three generations. Julius Darvas received his first lessons from his father at the age of 9. He first studied at the Landeskonservatorium Feldkirch (Austria)\, where he completed his studies with the concert diploma. He later changed to the Vienna University of Music and graduated with distinction under Alois Posch. The first prize winner of the Budapest Jazz Double Bass Competition in the “Foreigner” category has been a member of the Vienna State Opera Stage Orchestra since 2001 until 2023 and has regularly participated in concerts and tours of the Vienna Philharmonic Orchestra. \nJulius Darvas is Thomastik-Infeld Artist. \n \n \n \n \n \n Ondrej Janoska\, violin\n \nwas born in Bratislava in 1985. Already at the age of 10\, he was accepted into the class of Jozef Kopelman at the local state conservatory. The winner of numerous renowned violin competitions studied from 2000 at the Vienna Conservatory and at the same time at the University of Music and Performing Arts in Graz with Boris Kuschnir. From 2008 to 2012\, Ondrej was a member of the first violins of the Vienna State Opera Orchestra and the Vienna Philharmonic Orchestra. Since its foundation in 2013\, Ondrej has been touring exclusively with the Janoska Ensemble throughout Europe and the whole world. \nOndrej Janoska is Thomastik-Infeld Artist and plays a 1760 Carlo Ferdinando Landolfi violin\, kindly loaned to him by Goh Family Collection. \n \n \n \n \n \n Roman Janoska\, violin\n \nwas born in Bratislava in 1989. At the age of 5\, he started to play the violin. Later\, he studied at the conservatories of Bratislava and Vienna (in the class of Pavel Vernikov). Performances and concerts\, both as a “classical” and as a jazz violinist\, regularly took and take him to major international concert halls. As a prize-winner of numerous competitions\, Roman impresses audiences with ingenuity and inspired improvisations\, especially in the field of Jazz. \nRoman Janoska is Thomastik-Infeld Artist and plays a Ferdinandus Gagliano Filius\, Nicolai fecit Neap. 1769\, kindly loaned to him by Dr. Christian Kuhn Collection. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Event Sponsored By\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Artist Sponsored By\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Frequently Asked Questions (FAQ)\n Is this concert free?No\, this concert is only open to paying members. To learn more about MBAW’s membership and join\, click here. \nWhat is the parking situation?Parking is dependent upon each venue and will be communicated directly to members prior to the event. \nCan I see this artist elsewhere?Yes. This artist is available for another membership series and a free public concert. Please return to the event calendar to see these other events. \nCan I take pictures or video at the event?Please no flash photography during artist(s) performance. We would love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during their performance so as not to disrupt the event. \nDo you have other questions about this event or membership that require direct support?Contact us URL:https://musicalbridges.org/event/janoska-ensemble-musica-viva-05-09-2027/ LOCATION:Location Upon RSVP CATEGORIES:Musica Viva! ATTACH;FMTTYPE=image/jpeg:https://musicalbridges.org/wp-content/uploads/2026/05/Janoska-Ensemble_MV_Website-Calendar-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20270509T190000 DTEND;TZID=America/Chicago:20270509T200000 DTSTAMP:20260803T164134Z CREATED:20260803T154827Z LAST-MODIFIED:20260803T164134Z UID:335113-1809889200-1809892800@musicalbridges.org SUMMARY:Janoska Ensemble - Russell Hill Rogers Musical Evenings DESCRIPTION:This Vienna-based\, gold-record-winning virtuoso quartet shatters genre boundaries by blending classical mastery with thrilling improvisational flair. Drawing on generations of family musicianship\, they deliver high-energy\, standing-ovation performances across four continents. A favorite of MBAW audiences\, this will be the group’s fifth return to San Antonio for Musical Bridges Around the World.  \n \n \n \n \n \n Venue Schedule\n5:30 PM Check-in & Happy Hour6:15 PM Doors7 PM Concert \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ABOUT THE ARTISTS: \n \n \n \n \n \n The Ensemble\n The Janoskas have been making music for seven generations\, Julius Darvas builds on three generations and more of double bass playing. Another quality shared by the ensemble’s members is a first-rate classical education and prizewinning solo achievement. \nSelectively enriching their programs\, often with evocative titles\, compositions of their own serve as emotional visiting-cards that shed a revealing light on the personalities of these outstanding artists. In their own individual styles\, the four musicians join in expressing their love of improvisation with enthusiastic abandon and consummate virtuosity and are rewarded for their achievement at live performances on four continents to date with rapturous applause from a discerning audience. The Janoska Ensemble is – in pop jargon – a “live band”. The emotional intelligence and subtle humor of the artists’ interaction with their audience and their masterfully staged play on familiar melodies and surprise effects in the musical numbers they have newly created can be relied upon to stir listeners from their seats\, who almost invariably\, at the end of the concert\, show their appreciation in enthusiastic standing ovations. \nTheir Janoska Style\, their never merely superficial virtuosity and their ability to engage with one another and their audience in quick-fire musical dialogue have brought the artists invitations from big-name stage personalities such as Anna Netrebko\, Al Jarreau\, Bobby McFerrin\, Juan Diego Florez\, Brian McKnight\, Julian Rachlin\, Randy Newman\, Biréli Lagrène or Lalo Schifrin. \nThe Janoska Ensemble transmits an inexhaustible passion for making music\, despite their full calendar of engagements and tours\, and the four musicians are constantly working on new programmes and projects. Their unique “Janoska Style” forms the basis for all that is yet to come\, representing the seal of approval for one of the most thrilling and universal music ensembles of the present day. \nThe Janoska Ensemble is also in a kind of continuous “improvisation mission” in terms of workshops and master classes: This teaching activity led the four musicians\, among others to the Kronberg Academy\, Amadeus Festival Vienna\, Masterclasses in Hong Kong or to the Menuhin Festival in Gstaad. The reactions of the course participants were euphoric throughout: The collaboration with the Janoska Ensemble – so their general opinion – gave them much more confidence to improvise freely in the classic context. \nWebsite Bio: https://janoskaensemble.com/the-ensemble/ \n \n \n \n \n \n František Janoška\, piano\n \nborn in Bratislava in 1986\, first studied at the local conservatory and continued his studies at the University of Music and Performing Arts in Vienna. He has won prizes at numerous competitions\, including the Franz Liszt Piano Competition in Hungary\, and has worked with renowned classical orchestras. František made his debut as a composer with his Symphony entitled „Impressions along the Danube”\, premiered at Vienna Konzerthaus in May 2019\, the release of the first movement „Bratislava“ has been performed by Vienna Symphony Orchestra under the baton of Ádám Fischer at the Wiener Musikverein in spring 2018. His first “Rhapsody”\, commissioned by Esterházy Palace (Eisenstadt) was premièred in August 2019 together with the Haydn Philharmonic. \nFrantišek Janoska is Bösendorfer Artist. \n \n \n \n \n \n Julius Darvas\, double bass\n \nwas born in Constance\, Germany\, in 1976 in a renowned family of musicians from Hungary\, who had been cultivating the genre of double bass for more than three generations. Julius Darvas received his first lessons from his father at the age of 9. He first studied at the Landeskonservatorium Feldkirch (Austria)\, where he completed his studies with the concert diploma. He later changed to the Vienna University of Music and graduated with distinction under Alois Posch. The first prize winner of the Budapest Jazz Double Bass Competition in the “Foreigner” category has been a member of the Vienna State Opera Stage Orchestra since 2001 until 2023 and has regularly participated in concerts and tours of the Vienna Philharmonic Orchestra. \nJulius Darvas is Thomastik-Infeld Artist. \n \n \n \n \n \n Ondrej Janoska\, violin\n \nwas born in Bratislava in 1985. Already at the age of 10\, he was accepted into the class of Jozef Kopelman at the local state conservatory. The winner of numerous renowned violin competitions studied from 2000 at the Vienna Conservatory and at the same time at the University of Music and Performing Arts in Graz with Boris Kuschnir. From 2008 to 2012\, Ondrej was a member of the first violins of the Vienna State Opera Orchestra and the Vienna Philharmonic Orchestra. Since its foundation in 2013\, Ondrej has been touring exclusively with the Janoska Ensemble throughout Europe and the whole world. \nOndrej Janoska is Thomastik-Infeld Artist and plays a 1760 Carlo Ferdinando Landolfi violin\, kindly loaned to him by Goh Family Collection. \n \n \n \n \n \n Roman Janoska\, violin\n \nwas born in Bratislava in 1989. At the age of 5\, he started to play the violin. Later\, he studied at the conservatories of Bratislava and Vienna (in the class of Pavel Vernikov). Performances and concerts\, both as a “classical” and as a jazz violinist\, regularly took and take him to major international concert halls. As a prize-winner of numerous competitions\, Roman impresses audiences with ingenuity and inspired improvisations\, especially in the field of Jazz. \nRoman Janoska is Thomastik-Infeld Artist and plays a Ferdinandus Gagliano Filius\, Nicolai fecit Neap. 1769\, kindly loaned to him by Dr. Christian Kuhn Collection. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n SPONSOR OF ARTISTIC FEES \n \n \n \n \n \n \n \n \n \n \n \n PARTNERS \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n General FAQs\n \nTickets\nTickets are required to enter the concert\, but they are free! Seating is first-come-first-served. Tickets are available through each event on our event calendar or on Eventbrite. \nCheck-in\nTo help our staff and volunteers\, please have your ticket ready when you get there. Staff and volunteers will be ready to scan the QR code located on your ticket (print\, email\, or app). \nDoor Opening\nDoor opening times for Musical Evenings events will occur at 6:15 PM\, unless otherwise stated per event.  \nHealth & Safety Statement\nMusical Bridges Around the World will follow the most up-to-date safety guidelines for fine arts performance halls per the State of Texas\, as well as any other measures necessary for the ensured safety of its attendees. It is within MBAW and the venue’s right and discretion as private entities to enact these safety protocols for its attendees. \nLost Ticket/Refund Policy\nAn attendant at the door can help you register and get in quickly and easily. If you have registered but have forgotten the ticket\, an attendant can pull up your name and check you in manually. \nIf you cannot attend\, we ask that you cancel your free ticket order. This helps our ticket management process and eases the check-in process for staff/volunteers and guests on the day of. \nPhotography & Video\nNo flash photography or full-frame cameras unless given a press pass. We love for you to capture and share your experience\, but we do ask that you be conscientious of others and the artists during the performance so as not to disrupt the event. \nSeating\nSeating is first-come-first-served\, apart from any clearly marked reserved or VIP seating. \nSilence Your Phone\nPlease silence phones/devices during the performance. \nWill Call\nPaper tickets are not available unless otherwise arranged\, as all tickets run through the Eventbrite system. If you wish to print out your Eventbrite tickets for check-in\, you may do so\, but do not expect to be able to pick up physical tickets at a box office. \nAny other questions? Contact us. \n\n\n  \n\n \n \n \n \n \n Venue-Related FAQs\n For all information regarding Stable Hall parking\, accessibility\, alcohol consumption\, animals\, bags/coats\, prohibited items\, and more\, visit: https://www.stablehall.com/venue/faqs URL:https://musicalbridges.org/event/janoska-ensemble-musical-evenings-05-09-2027/ LOCATION:Stable Hall\, 307 Pearl Pkwy\, San Antonio\, TX\, 78215\, United States CATEGORIES:Russell Hill Rogers Musical Evenings ATTACH;FMTTYPE=image/jpeg:https://musicalbridges.org/wp-content/uploads/2026/06/Janoska-Ensemble_ME_Website-Calendar-scaled.jpg END:VEVENT END:VCALENDAR